
What
we call Celtic knotwork design isn't uniquely Celtic. It's probably
not even originally Celtic. The Celts, who first showed their
tattooed faces in central Europe a very long time ago, loved bright
colors, curved shapes, wine, and mayhem. They didn't write anything
down - like a lot of tribal peoples, they
believed that writing was a magical act that you shouldn't undertake
casually. It's because by setting the name of a thing down as
an object you have created something that has power over the thing
the writing represents. Think voodoo dolls: you're on the right
track.
But
they didn't let their respect for writing stop them from making
their mark. They decorated everything. Everything. The early Celts
picked up design influences from the Scythians and Greeks, mainly,
and learned some new tricks as they spread west across Europe,
over the English Channel, and beyond the Irish Sea. But they weren't
doing knotwork designs yet.
Ancient
Celtic art, especially in the La Tene style, is all about curves
and color. It's gorgeous stuff, but it's not what we're looking
at today.
Knotwork
or interlace design is a lot more like ancient Saxon and Scandinavian
art, which is full of twisting gripping beasts and interwoven
lines. It's also great stuff, but on its own it wasn't quite there
yet.
By
the sixth century the Celts had become pretty well settled in
the British Isles. They were the Britons, after all. The Romans
came, made a lot of roads, whipped a lot of people, then left.
The Britons might have had a chance to figure out who they were
again, but that's right about when the Saxons showed up.
In
most cases when one group of people conquers another one they
turn the old people into peasants or slaves and get on with it.
You can tell a lot about how this works by looking at the place
names in a country. Think about all the Native American names
for towns, rivers, and mountains that we see in America. The conquerors
ask the natives, "What do you call this?" It's like
that.
When
the Saxons poured out across Britain, though, it was something
else. They weren't very nice people. In all of what's now England
- south of Scotland, east of Wales - you almost never find a Celtic
place name. That's because, when the Saxons looked across the
field, there weren't any Celts left for them to ask, "What
do you call that river?" So they had to make up their own
names for everything.
 
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What Makes
it Celtic Knotwork?
A
Celtic
knotwork or interlace pattern is a design made up of one
(or sometimes more) bands that interweave in an under-and-over
pattern throughout the design.
Those
bands may be simple ribbons, or may form the parts of an
animal in what's called a "gripping beast" design.
Because animals have a lot of loose ends, like tails or
paws, the rules are sometimes relaxed in animal designs.
That's because when part of the pattern simply stops, for
instance at the end of a tail, it's not possible to complete
the design in one continuous band - and the over-and-under
sequence may be broken for the same reason.
But
in the purest form of the art you should be able to start
tracing the flow of the pattern at one point, and follow
that line continuously, over and under and over and under,
till you reach your starting point again - having traced
through the whole pattern in between.

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